Zac Efron on career reinvention and addiction struggle


The years since ‘High School Musical’ have been hard on the former child star, replete with hits (‘Hairspray’), misses (‘Charlie St. Cloud’) and substance abuse. Now, with ‘Neighbors’, he’s working on his life as an adult, “I needed to learn everything I did,” Zac Efron leans back, lost in thought, Stephen Galloway writes for The Hollywood Reporter.
“No matter who you are, you face challenges growing up,” he says. “You go with your things, you learn, you have to. It’s impossible to lead an honest and fulfilling life as a man and not make mistakes and confess up to them when you need to. But it’s especially humiliating when they happen to be so public and so scrutinised.”
He pauses. “When you have success young and you accept the good things, you have to accept all of it. You have to accept the moments of glory but also a great responsibility. And that responsibility, to some degree, involves being a role model. At the same time, I’m a human being and I’ve made a lot of mistakes. I’ve learned from each one.”
Add that to his well-publicised stint in rehab and any reporter might be forgiven for expecting the worst. But as we sit for lunch at West Hollywood’s Soho House, I’m surprised to find him thoughtful, gracious and candid about the growing pains he has endured while navigating the shoals from teen celebrity to adult stardom.
“I was drinking a lot, way too much,” he says, acknowledging there were drugs, too. “It’s never one specific thing. I mean, you’re in your 20s, single, going through life in Hollywood, you know? Everything is thrown at you. I wouldn’t take anything back; I needed to learn everything I did. But it was an interesting journey, to say the least.”
That journey is one well travelled by other young stars, with varying degrees of success – from Judy Garland to Corey Haim to Lindsay Lohan to Robert Downey Jr. Like them, Efron has had his travails well documented. First, he entered rehab for an addiction to alcohol and drugs last spring; then he suffered the indignity of having his jaw wired shut following a fall in his Los Feliz home, when he skidded by an indoor fountain and finally came the March incident when his car clunked to a halt in a dubious part of town, after which Efron grappled with a homeless man. Precisely what happened has given rise to endless tabloid speculation and Efron is coy about the details.
“I had a friend come pick me up late at night – we were looking for a place downtown to get a bite and catch up,” he says, without identifying the friend. “We were having trouble finding somewhere – a lot of places were closed – and the car ran out of gas off the 110. It was ridiculous. We had to pull over and I called Uber.”
While waiting, “A homeless guy, or vagrant, tapped on the driver’s-side window. Before I knew it, he (the friend) was out of the car and they started fighting. I saw that (the homeless man) was carrying some sort of a knife, or shank and I got out of the car to disarm him. At some point, he dropped the knife and I got hit pretty hard in the face – and almost instantly the police were there to break up the fight.” After that, the two friends went home. Efron calls it “the most terrifying moment in my life”.
The timing of the occurrence hardly was ideal, just weeks before the May 9 release of Efron’s new comedy, ‘Neighbors’, in which he stars with Seth Rogen. The $18 million film is getting terrific buzz for the younger actor, who plays a frat boy spinning frighteningly out of control.
“His character tests through the roof, and the most common comment we hear is how much the audience loves seeing him in this new kind of role,” says Universal Pictures Production Co-President Peter Cramer.
Insiders say Efron took a major pay cut to make the film in exchange for a heftier share of the back end (sources say he can get around $5 million a picture, but he often has cut his salary to do work that challenges him). Since then, he has received a surge of offers based on strong word of mouth about his performance but has opted not to shoot anything.
He is trying to shed an unwanted skin, cleanse himself mentally and physically, purge a past that has come to haunt him. A self-described insomniac, he acknowledges wrestling with anxiety and being plagued by “thoughts, just thoughts, just overthinking things”.
Currently single, he speaks of “the struggles of dating, of falling in love, of searching for love and being there for your friends when they need you”. 

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Aaj Kal